The script gets a lot of mileage from the time premise-some way too literal (every character seems to use the word "time" all the time), but a lot feels fresh, and even thrilling. A silly as this all sounds, the actors commit to this "old but young" method, which is weird, but pretty compelling. Cillian Murphy ( Inception) is the detective out to nab Will and Sylvia. Their scenes are surprisingly sweet considering they're mom and son but look the same age. Olivia Wilde ( Tron Legacy) plays Will's mother. Most of the insanely hot twentysomethings fade into the background like an endless supply of fashion models, but some roles register. Even the lair of the film's baddie is the actual building of L.A.'s fame factory: the office for talent agency CAA. The film was shot in and around Los Angeles (by master cinematographer Roger Deakins), which feels appropriately soulless but is filled with cool electric humming vehicles and snazzy skyscrapers. The ultimate dude is a man with 100-plus years, played by White Collar's incredibly good-looking Matt Bomer. The costumes are über-chic and the look of the future is seeped in the past: '50s era cars, '30s era factories.ĭid we mention this is a film starring no one over 25? This is Young Hollywood, Cautionary Tale 101.Ĭlearly, the young star angle is intentional. Niccol made Gattaca way back in the '90s so he's in familiar territory. But then she meets Will and they get all Bonnie and Clyde, looting daddy's time banks. For young heiress Sylvia (Seyfried) this is little more than an annoyance since her perpetually young-looking pops ( Mad Men's Vincent Kartheiser) who literally has all the time in the world gave her a decade extra for her birthday. At 25, the countdown to cardiac arrest begins. Everyone is born with a snazzy green Lite-Brite-looking clock on their arm. Sometimes down to the minute or seconds in District 12, the slums of writer-director Andrew Niccol's dystopian world. Will Silas (Timberlake) is hot, but not rich so he lives day to day. of the future, humans are genetically altered to stop aging at 25, but only the rich (and hotties) keep on ticking. I guess being a cop can age even the permanently youthful.The Bigger Picture: In the L.A. They even find time to make out while running from a dutiful “timekeeper” played by Cillian Murphy, who at 37 is just a touch old to be in this movie. Place your bets now on whether the spoiled rich girl will fall for the charming rogue who lives by the minute and makes every minute count. Here he meets Sylvia Weis (Amanda Seyfried), daughter of a “millionyear” industrialist played by Mad Men’s Vincent Kartheiser. Will goes into hiding in a rich neighbourhood that has a kind of James-Bond-in-Monaco aesthetic with science-fiction trimmings and music I wouldn’t inflict on the occupants of an elevator to Hell. No one cares about the death, but the police assume he stole the centenarian’s life savings. He’s given the gift of a hundred years by a rich man (Matt Bomer) who wants to die and his mother (Olivia Wilde remember, no one ages) dies in his arms when her time runs out before he can give her a loan. Two events conspire to change Will’s life. Cops “follow the time,” and rich folks “come from time.” A waitress at an upscale restaurant tells Will: “You do everything a little too fast.” He leers at her: “Not everything.” Basically, it’s Logan’s Run with by-the-second billing.įor some reason, all the poor people live in Dayton – way to go, Ohio Tourism! – where smoke-belching factories stand next to stores that offer everything for 99 seconds.
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Minutes can be taken or given away by clutching forelimbs, which makes arm-wrestling a popular and potentially deadly sport. You start with a year and can earn additional time in the usual ways – work, beg, borrow, steal. (This should not be confused with Einstein’s discovery that time is relative, the basis for the upcoming Adam Sandler comedy Jack and Jill.)Įveryone ages naturally until they reach 25, at which point the body’s clock stops and a glowing green one on the arm takes over. Society has devolved into a chrono-Marxist regime in which time is money. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.